Les Chansons des Roses: V. Dirait-on official lyrics by Morten Lauridsen: Dirait- on Abandon entouré d’abandon, tendresse touchant aux tendresses. Morten Lauridsen’s lyrical settings of Rainer Maria Rilke’s Les roses have become part of mainstream choral repertory. Deftly crafted and elegant in their. Morten Lauridsen: Les Chansons des Roses, 5 songs for chorus – Play streams in full or download MP3 from Classical Archives (), the.
|Country:||Turks & Caicos Islands|
|Published (Last):||16 November 2016|
|PDF File Size:||16.5 Mb|
|ePub File Size:||8.51 Mb|
|Price:||Free* [*Free Regsitration Required]|
From Wikipedia, the free encyclopedia.
Hyperion offers both CDs, and downloads in a number of formats. Morten Lauridsen on Waldron Island in The composer’s craftsmanship further leads to an amazing balance between the contemporary and the timeless. Introspection Late Night Cgansons.
Aside from poems written in his native tongue of German, Rilke created a substantial body of French verse. In Dirait-on Lauridsen magically evokes the wistfulness of the chansons populaires immortalized by Edith Piaf. Rainy Day Relaxation Toses Trip. His Latin sacred settings, such as the Lux Aeterna and motets, often reference Gregorian chant plus Medieval and Renaissance procedures while blending them within a freshly contemporary sound while other works such as the Madrigali and Cuatro Canciones are highly chromatic or atonal.
Les Chansons des Roses, 5 songs for chorus
The tunefulness of this movement helped to make it one of the best-selling choral octavos of the late twentieth century. In he received the National Medal of Arts from the President in a White House ceremony, “for his composition of radiant choral works combining musical beauty, power and spiritual depth that have thrilled audiences worldwide”.
The Racing Waterfall IV. Oxford University Press, Les chansons des roses composer. A Winter Come on poems by Howard Moss. Like the German poet, the American composer has tapped a profound source of inspiration by contemplating the evanescent beauty of a rose.
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. A National Medal of Arts recipient he was composer-in-residence of the Los Angeles Master Chorale —  and has been a professor of composition at the University of Southern California Thornton School of Music for more than 40 years.
The piece concludes as it began — a hallmark of Lauridsen ‘s formal structures. Composers on Composing for Choir Graphite Publishing.
Doubtless this disc also attests to Lauridsen’s els ability to write for choral voices while creating those atmospheric sounds which bring a feeling of inner peace to even the most unwilling ear. The Complete Choral Cycles.
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Stan Lee Richard M. Set to French poems of the German poet Rainer Maria Rilkethe five-song cycle for a cappella mixed chorus is a unified study in elegance, as are its poems and the roses they describe.
Morten Lauridsen – Les Chansons des Roses, 5 songs for chorus – Classical Archives
Chansons des roses, Les
Mid-Winter Songs  on poems by Robert Graves. In this adagio setting, the other voices tend to accompany the melody, typically found in the soprano voice, a more unequal state than found previously. Their glorious sound and subtle interpretations do complete justice to Lauridsen’s scores, including the Mid-Winter SongsLes chansons des roses and the brand-new, rapturous Nocturnes, of which this disc is the premiere recording.
Morten Johannes Lauridsen born February 27, is an American composer. A Portrait of Composer Morten Lauridsen.
The first song, “En une seule fleur” In Only One Floweris a madrigal-like setting that declaims its text quickly and lightly in a homophonic texture. The Passing of the Year. Drinking Hanging Out In Love.
The movement ends as it began, but its final chord overlaps with the piano introduction to the final movement, “Dirait-on” One would saythe only movement to use accompaniment.